Fani Parali in The Guardian 'Biological clocks and lactating breasts: the show celebrating artist mothers'

by Rhiannon Lucy Cosslett

Women with children have long struggled to be taken seriously as artists - but a new show addresses the problem, stretchmarks and all.

 

It's a sunny morning in Bristol and I'm looking at a biological clock. Not my own metaphorical one, but an actual one: an hourglass in the form of two uteruses, complete with fallopian tubes. The sand has collected at the bottom: time has run out. The work is by the New York-based artist Lea Cetera, the title You Can't Have It All. I give a wry laugh.

 

It's part of Acts of Creation: On Art and Motherhood, a major group exhibition by Hayward Gallery Touring currently at the Arnolfini gallery, which aims to address a historical blindspot when it comes to mothers who are also artists. Curated by Guardian contributor Hettie Judah, it has been years in the making. As far as she knows, there have been shows about motherhood as an artistic subject, and shows about art made by mothers, but none that address the two entwined: motherhood as lived experience, and an engine for creativity.....

 

.....The sometimes joyful, sometimes harrowing subjectivity of many of the works means that visitors are likely to find something that affirms their own experience. Fani Parali's mixed media work Incubator/Flight commemorates the time her son was in the neonatal intensive care unit. Her fragile drawing of him, which sits in a steel crib, is so effective at conjuring the vulnerability of a premature baby that I cannot linger by it too long.....
March 12, 2024